Showing posts with label ad industry. Show all posts
Showing posts with label ad industry. Show all posts

[Guest Post] The Doomsday of Mass Advertising

29 Aug 2013

"Tastes change, fashions change, and the advertiser has to change with them."
Thomas J. Barrat, aka. "the father of modern advertising".

The industry of advertising has not failed to realize the emergent customization of literally anything that surrounds us. Being one of the many social changes the digital world has brought, advertisers soon understood the benefits of tailoring their products to specific audiences. This goes in line with other customization trends that this decade of the twenty-first century has seen, such as 3D printing technologies allowing you to have a different -and brand new!- cereal bowl every day; or the striking objects and architectures that digital design has freed from the idea of 'the mass'.

Advertisers have slowly, but steadily, started to implement this new approach in a variety of ways, both virtual and analog. While predicting the future is always a slippery thing to do, one could start to see a tendency to favour all things bespoke, to the detriment of audiences understood as homogenous masses of identical individuals. This had started shyly with the television, where toys would be advertised in the middle of children’s programs, and alcoholic beverages after late-night movies. The exploitation of these customization techniques, however, has undergone a radical makeover with the arrival of the Internet and the subsequent acceptance of the digital realm. Customization of a company's advertising campaigns comes hand in hand with other public relation strategies, as a matter of fact, and is intimately related to the company's brand identity. When a PR agency embarks the task of developing developing a corporate brand identity, it will typically begin by asking just that: who are our customers? Clarifying what your audience’s needs are is a step in the right direction when it comes to bespoke advertising, based on the potential customers' specific tastes and likings, rather than blindly advertising to an obscure mass of unknown individuals.

You might have realized that the advertising in sites such as YouTube or your e-mail service provider varies according to your latest web searches or the messages you have exchanged with your contacts. Indeed, the algorithm sometimes gets things wrong, such as the day my German boyfriend sent bussi (kisses), and a bunch of adverts of Finnish bus companies (bussi) appeared in Suomi all over my web browser! If you are yet to realize about these changes, you might well have received a newspaper in the post, with your own name printed in the headline instead! University prospectuses these days are also customized to the prospective student's interests, and displaying their name on every other page. Could this be the doomsday of mass advertising?

Advertising is arguably as old as human society, and it started as a way to inform the public, ie. the audiences and potential clients, about one's own services. Never before, however, has advertising had the possibility of selecting its audiences as carefully as before. Flyers have been put up by blacksmiths and doctors alike, while stall owners at markets have sung and shouted about their products in all cities worldwide. Nowadays, more than a decade into the twenty-first century, it is more urgent than ever to utilize digital technologies in order to do something that these advertising methods did not: optimization. These methods were targeting all passers-by, without carefully selecting them in order to direct their message only to those who might have been interested in the services offered. In other words, optimized advertising means sending out one's message only to interested audiences, and thus avoiding unnecessary expenses.

Moving away from mass advertising means entering an era of optimal advertising. Thankfully, this is possible because the means are now available. All successful businesses are acutely aware of it, but not all strands of possibility have been explored. Television and cinema, not to mention newspapers, are only the grandparents to the new universes of interactive and multi-media advertising that gadgets such as tablets and smartphones have opened before us. Advertising brought to you in a silver tray.

A guest post from Fortune PR.

Photo Credit: Mackenzie King addressing an outdoor audience on his Western Tour, 1941. William Lyon Mackenzie King. Library and Archives Canada, C-068667

Mark Denton Gives Provocative Live Show At 180 Amsterdam

15 Apr 2013


Advertising legend Mark Denton donned a fetching pink nightie to advertise his presence in Amsterdam last week in true red-light-district style.

Denton’s ‘live show’ at 180 Amsterdam last Thursday drew a crowd, many of whom were lured in by a giant poster installation in the front window of the agency showing the Coy! creative director/partner posing provocatively in front of a net curtain.

Denton gave a funny, inspirational no-holds-barred talk to a captivated audience at the agency, giving insights on his 30-year career, his successes and mistakes, as well as his methodology and beliefs.

180 Amsterdam ECD/Managing Partner Al Moseley said: "I always thought Mark was a genius, but I never knew he had such great legs".

New Study Finds That Bad Ads Are Getting In The Way Of Sex

10 Apr 2013

A new survey on bad ads says 87% of Americans are fed up with bad ads, so much so that 19% say bad ads are even getting in the way of them having sex.

This is according to a new Harris Survey being revealed on Thursday, April 11, from InsightsOne. The survey, which was developed to see how Americans react to the best, and the most annoying, ads all around us each day, infographic below:

Ten By Fotolia Season 2 - Soongyu Gwon "Lifestyle"

7 Feb 2013


Sci-fi fantasy meets Greek mythology in this month's TEN by Fotolia design. Consumed with a passion for art and design, Soongyu Gwon, who works as a Creative Director at D.FY Inc. Design Group in Seoul (South Korea), defines himself as a "digital image maker".The work and style of this man, who is above all in search of the deeper meaning in things, materializes in his ultra-graphic, perfectly mastered works. Inspired and enriched by Korea's 5,000 years of history, as well as traditional asian culture, and being close to nature, his compositions also show the influence of contemporary arts: comics, fantasty and horror movies are Soongyu Gwon's favorite genres since he saw Peter Jackson's "Dead Alive" in high school.

Two videos, both with subtitles in 12 languages, were shot in South-Korea. The one revealing his everyday world will be available as a sneak preview on the dedicated TEN Facebook page, from February 6th. The one unveiling his work techniques will be available on release day, February 8th, on the Youtube TEN Collection channel

Credits:
Directed by Gang Corporate
Director / Editor / Colorist: Pavle Savic
Music / Sound Design: Axel Guenoun
Motion Design: Mister Gü

Toronto Ad School Creating Great Prints - FIAT "Drive Friendly"

Students at Toronto's Humber College enrolled in the Creative Advertising Bachelor of Applied Arts program are creating some great work as we see in this print ad created for FIAT with a fun tag line "Drive Friendly."
See more student work at the programs gallery page HERE.

Credits:
Advertising School: Humber College, Toronto, Canada
Art Director: Iva Jericevic
Copywriter: Logan Broger

Polka Dots On A Mountain By Toronto Start Up Agency For The DCMF

1 Feb 2013


To raise awareness of the dangers of Melanoma for the David Cornfield Melanoma Fund, the creative team at Toronto based agency ThreeTimesThree painted polka dots on a Blue Mountain Resort ski hill. This ambient idea for The David Cornfield Melanoma was created to highlight the dangers of sun exposure in the winter. The main ski run at Blue Mountain was covered with giant polka dots made from food colouring. The dots represent the cancerous moles associated with melanoma. As the day progressed, skiers erased the dots as they skied down the mountain.
At the bottom of the run, the skiers encountered the DCMF Melanoma Base Camp where they received sunscreen, lip balm and informational brochures. Canadian Olympic Skiers, Julia Murray and Davey Barr were on hand for pictures and autograph sessions.

"We wanted to target a younger demographic at the hill since one bad sunburn before the age of 18 doubles your chances of getting melanoma" said Shelley Franklin, Executive Director of DCMF. "Skiers may not know this but snow reflects up to 80% of UVB rays and high altitudes increase the UV index. The good news is that the survival rates are 99% if detected early." said Shelley.

Credits:
Agency: ThreeTimesThree
Creative Team: Craig Markou, Mark Tawes-Smith, Wade Makarus
Director: ThreeTimesThree
Client: The David Cornfield Melanoma Fund
Editor: Chris Reesor, Asylum Artists
Stills from the event can be seen at https://www.facebook.com/ThreeTimesThree

Art School Print Campaign Are More Like Anti-Drug PSA's

28 Jan 2013


The College for Creative Studies “Talk to your kids about art school” campaign plays up the duality of this relationship by mimicking anti-drug PSA's. Young artists are addicted, they spend hours and hours perfecting their craft. They can't help themselves. Their parents are generally less enthused with their child's artistic aspirations, wishing they'd go to school to become a doctor or a lawyer instead.

Credits:
College for Creative Studies
Advertising Agency: Team Detroit, Detroit, USA
Chief Creative Officer: Toby Barlow
Executive Creative Director: Gary Pascoe
Art Directors: Vic Quattrin, Brandi Keeler
Copywriters: Joel Wescott, Maggie Cote
Photographer: Stock

"Beyond The Fence" Good Hope FM TV Spot

16 Jan 2013


Good Hope FM’s new brand ad, shot by Slim from Egg Films, comes with one, unmistakable message: if you don’t have Good Hope FM, you have no hope.

The deliciously tongue-in-cheek spot makes a great meal of a simple truth: Capetonians live in one of South Africa’s greatest cities; and boy do they know it.
It is exactly this wry humour that attracted Slim to the job in the first place: “I really digged the exaggeration and comedy; it gave us a chance to completely take the mickey out of ourselves as both Capetonians and non-Capetonians,” says Slim, ironically a non-Capetonian himself.

Letting the comedy speak for itself, Slim purposely chose to avoid too many tricksy morphs and let editor Ricky Boyd work his magic, allowing the cut to reveal the change from cool Cape-Town-land to uncool-place-of-no-return, after our guy mistakenly strays beyond the signal of Good Hope.

The concept, dreamed up by 140BBDO creatives Ivan, Alexis, Gareth and Alex, proves that those wine-guzzling rascals can laugh at themselves after all. We didn't actually get to interview any of them but we'd imagine that if we did, they'd say something like, "It's, like, the truth. And if you don't, like, find it funny, you're probs from, like, Jo'burg. Eeuw."

Credits:
Creative Ad Agency: 140BBDO
Title: Beyond The Fence
Client: SABC / Good Hope FM
City: Cape Town, South Africa
Agency producer: Sarah Southey / Jo Weiss / Megan Sturgess
Executive creative director: Ivan Johnson
Creative director: Alexis Beckett
Copywriter: Alex Goldberg
Art director: Gareth Cohen
Production company: Egg Johannesburg
Director: Slim
Director of photography: Willie Nel
Production co-producer: Nicci Cox
Executive producer: Colin Howard / Nicci Cox
Post production: Deliverance
Editing: Deliverance
Editor: Ricky Boyd
Audio: Milestone Studios

The Art Of Creative Coding | PBS Digital Studio Off Book

4 Jan 2013



Programming plays a huge role in the world that surrounds us, and though its uses are often purely functional, there is a growing community of artists who use the language of code as their medium. Their work includes everything from computer generated art to elaborate interactive installations, all with the goal of expanding our sense of what is possible with digital tools. To simplify the coding process, several platforms and libraries have been assembled to allow coders to cut through the nitty-gritty of programming and focus on the creative aspects of the project. These platforms all share a strong open source philosophy that encourages growth and experimentation, creating a rich community of artists that share their strategies and work with unprecedented openness.

Credits:
Off Book | PBS Digital Studios
Produced by Kornhaber Brown
Featuring:
Daniel Shiffman - Interactive Telecommunications Program at NYU http://www.shiffman.net/
Keith Butters - Barbarian Group http://barbariangroup.com/software/cinder_0_8_0
James George & Jonathan Minard - RGBDToolkit http://www.rgbdtoolkit.com/

Start Up Agency Fabula Creates New Work For William Hill

1 Jan 2013

William Hill begins 2013 with a humorous campaign created by start-up agency Fabula. The TV and print campaign is Fabula's first work for the UK's biggest bookmaker since winning the account in October 2012.

The strategy is new and created in collaboration with The London Strategy Unit. It brings to life the fact that as the UK's biggest and most trusted bookmaker - William Hill people are full of passion and knowledge of the subject and betting.

The TV campaign consists of a series of ads depicting what it might be like inside William Hill, the Home of Betting. The films give an insight into how dedicated and knowledgeable William Hill is about all sport and betting. Two ads primarily focus on football and horse racing, followed by four ads that push particular offers.


Three main characters feature in the ads – a manager, a trader, and a ‘mobile’/tech expert. The characters and colleagues are as passionate about sport as the viewers and suggest they “unleash your mobiles” and “fire up your ipads”, encouraging betting fans to download the William Hill app and bet online. A horse that finds its way into the office even has its name – “Download the app” – emblazoned across its horse blanket.

Each film ends with new William Hill strapline “You know where to come. William Hill, the Home of Betting”. The spots were directed by Peter Lydon, of production company 76 Ltd.

Says Yan Elliott and Luke Williamson, Fabula founders: “We are very excited to have created this new campaign for William Hill. Since winning the business less than three months ago we have created a series of seven ads straight out of the traps!”

Kristof Fahy, CMO, William Hill plc, adds: “I have always admired the work of Yan and Luke and with this campaign they continue to show the talent that they have. They quickly understood that it's the people and our passion that makes William Hill the UK's number one and have brought that to life through the new campaign.”

Credits
Client: Kristof Fahy, CMO, William Hill
Creative Ad Agency: Fabula http://fabulalondon.com/
Creative Directors: Yan Elliott, Luke Williamson
Art Director: Luke Williamson
Copywriter: Yan Elliott
Agency producer: Tania Kane
Planning: London Strategy Unit
Photographer: Mat Holyoak
Director: Peter Lydon
Producer: Cathy Hood
DOP: Lukas Strebbel
Production company: 76 Ltd
Editor: Spencer Ferszt
Editing company: Marshall Street Editors
Post production: The Mill
Sound design: Wave

"Healthy Homes" for the Ministry of Finance

17 Dec 2012


Toronto creative ad agency Marshall Fenn and production house Code Film create a nice new spot for Ontario Ministry of Finance entitled "Healthy Homes". The spot promotes the the Governments healthy homes renovation tax credit for seniors and those who care for them.


Credits:
Client: Ministry of Finance
Agency: Marshall Fenn
Production Company: Code Film Inc.
Director: Marc Andre Debruyne
Producer: Chris Boddy
Executive Producer: Thomas Rickert
Agency Producer: Frances Smith
Copywriter: Mike Vinakmens
Art Director: Dan Couto
D.O.P.: Samy Inayeh
Editing and Post: School
Release date: December 2012

Miss Representation Calls Out Sexist Big Brands

11 Dec 2012



Miss Representation calls out big brands: Carl's Jr., Axe, Go Daddy, Teleflora, Hello Kitty, Dolce & Gabbana, Fiat, Victoria's Secret, Svedka, American Apparel, Mentos, Burger King, Smirnoff, and even Barbie in an ad campaign to elimainate sexism in media and advertising.

According to Miss Representation the media did not represent women well in 2012. A statement posted on their website states that "Miss Representation is committed to ending sexism in media, but 2012 was a rollercoaster year for the representation of women, with inspiring highs and frustrating lows".

Shall we go back in time ladies? To a happier time? Let's do that shall we....







A Short History of the Gif - "Moving the Still"

6 Dec 2012



Director Sean Pecknold and LEGS Media Production present a short history of the Gif, to help promote the "Moving the Still" exhibit taking place in Miami during Art Week this December. Presented by Tumblr, SmartWater, and online art hub Paddle8 the video celebrates the 25th anniversary of the GIF with stunning claymation is they take a stroll back through a history of the GIF.


Fun Facts:
In 1987 Compuserve released an image format called "87A"
The file allowed for 256 colors
Paving the way for innovative loops
Name was changed to "Graphics Interchange Format"
Invented by Steve Wilhite

GIF vs GIF | Moving the Still | A GIF Festival - with Johnny Misheff, Chief Council Member, Richard Phillips, Selection Council, John Clang, Contributor, Analisa Teachworth, Contributor and Collin Munn, Editorial Manager.

Toronto's Ad Industry Put On The Gloves and Get In The Ring For Charity

3 Dec 2012

Jennifer Watts, account director at Brandworks International, left, and Scott Morris, media manager at Mindshare Media
MICHELLE SIU PHOTO
Ad Agency Wars III is set for Wednesday in Toronto!

A year ago, Scott Morris’s typical Friday wind-down with colleagues would have involved beer, pizza and more beer.

Morris, the media manager at Mindshare Media Canada, still ushers in the weekend with members of Toronto’s advertising community. But for the past three months their fellowship has been devoted to toughening up for a charity boxing event.

Agency Wars III, which takes place at the Arcadian Court this Wednesday, will see 24 men and women from 14 local ad agencies square off to raise money for Ronald McDonald House and the National Advertising Benevolent Society.

The participants, who train with professional coaches, actually become qualified amateur boxers sanctioned by Boxing Ontario for the sold-out event.

One of the final training sessions found a broad range of ad industry employees, from art directors to CFOs and copywriters, drilling down at The Boxing Loft in the Entertainment District.

Morris, 31, had spent last Friday fine-tuning ideas for his Ford Fusion portfolio for next year. But come dusk, he was focused on his upcoming bout with Jason Kan, motion graphics designer at Teehan+Lax.

Even before stepping into the ring for their three two-minute rounds, Morris has already earned bragging rights: he’s shed 35 pounds since training began in September and can now execute at least 40 pushups and an eight-minute mile.

“I’ve never done anything like this in my life,” said Morris as he took a break from light sparring inside the Adelaide St. W. gym. “I feel good. I feel confident. I wake up everyday thinking I’m going to throw up from the nerves, but I just channel past that and stay focused.”

Abs aside, Michael Clancy has seen the long-lasting benefits of exposing his competitive industry’s desk jockeys to the even more cutthroat world of pugilism since he founded Agency Wars three years ago.

“Knowing what to do under fire is really important,” said Clancy, executive creative director for Brandworks. “If you can get into a ring, then you can walk into any boardroom in the world.

“In the ad business, taking care of your stress is really important. And boxing is a spectacular way to do that because you’re not in your head. You have to be very much aware of your body. And hitting a bag, doing that kind of strenuous work, the footwork involved, takes you out of the office and puts you into a very physical place where you do what you’re told. You don’t have to think, and you’ll be fine.”

Clancy, 62, who took out his opponent in the third round, aided by former junior featherweight champ Steve Molitor in his corner, when he fought in 2010, has been the oldest competitor to date in the event, which is taped by Fight Network for later broadcast.

“It’s kind of like a fantasy camp for boxing,” he said. “You get to walk in with your entourage, you get to pick your music and it’s televised.”

Head coach Chris “Mr. Showtime” Johnson, a 1992 Olympic medallist, finds the ad folks “very dedicated.

“They’re hungry. They want it almost to an obsessive stage,” he said. “They believe in perfection, but perfection in a sport like this does not come in three months. It’s taken me almost a lifetime.”

After a 20-minute skipping warm-up, Johnson led the group through various punch combinations, all the while pumping them up for fight night.

“If you get a chance to hit someone, hit ’em hard, because if they get the chance they’re going to hit you hard,” he exhorted.

From his ringside perch, returning announcer Jeromy Lloyd, Marketing Magazine’s online editor, has seen a fight or two stopped for split eyebrows and swollen eyes. He’ll be decked out as usual in a rented tux, but without a catchy “let’s get ready to rumble”-style tag line.

“I’m so scared of trotting on someone else’s intellectual property and getting the event sued,” he explained.

The creative team at Brandworks came up with the nickname “Da Boss (a.k.a. The Shot-caller)” for one of their fighters, Jennifer Watts, and selected their Christmas party favourite, LMFAO’s “Shots,” as her entrance music.

Now endowed with an eight-pack and the ability to do “at least 20 real pushups,” thanks to the rigorous 12-week training, the 6-foot-2 account director is pumped to face off against Mindshare media manager Christina Mirabelli.

“My strategy,” said the trash-talking Watts, 30, “is to keep her back with these long arms so she does not get near my face — and punch her in the head.”

Via: Ashante Infantry | The Star

A Special Thank You To DreamHost

21 Nov 2012

Thank you Sylvia for letting me post this special thank you to everyone at DreamHost Web Hosting.

Without making this too long winded, I simply just wanted to give everyone at DreamHost a shout out and say thank you for all your help after a number of our websites were hacked recently. Briefly, I got lazy keeping up to date with our security which lead to a security breech on a couple of our sites and a password intrusion (not here on Great-Ads, thankfully), I did the dumbest thing I could do and opened an email attachment and gave myself the dreaded Progressive Scan virus . DreamHost, our hosting provider specifically Miguel R. took the time and walked me through every step of getting them up and running again as well as removing files that needed to be asap.

It's refreshing to know that our hosting provider is there when we need them, and in this particular case, they were there before I even knew I had a password intrusion. Thank you guys, and Miguel you rock! If you are considering a new hosting provider I encourage you to look into DreamHost and be sure to tell them Mauro the big dummy sent you.  See what DreamHost Web Hosting can do for you HERE.

Attention Young Creatives This Is How You Do It

4 Nov 2012



To promote Eurobest 2012 (the European Advertising Festival) MOP (multimedia outdoor Portugal) had this rather seductive hot tub promo spot created for the young creatives.
The dialogue of 3 nude women, entertaining a client, drinking champagne and dipping strawberries in chocolate...
Do you want to be a creative and work in advertising?
To have creative and original ideas.
That will be a huge success.
Award winning ideas.
And still make the client happy.
Being a creative is a tough job, but someone's got to do it. Starting here: Eurobest 2012 Young creatives Portugal integrated competition.
Let's file this under the "garbage" section shall we.

Credits:
Advertising Agency: Fuel, Lisbon, Portugal
Creative Director: Marcelo Lourenço, Pedro Bexiga
Copywriter: Marcelo Lourenço
Art Director: Pedro Bexiga
Tv Producer: Pedro Silva, Rita Santos
Production Company: Show Off
Director: Alexandre Montenegro
DoP: Vitor Rebelo
Set Design: Nelso Coelho
Sound: Dizplay

Toronto Ad Agency Grip Is Taking Over By A Bunch of 10 Year Old Kids

31 Oct 2012




For Toronto based ad agency Grip, celebrating their 10th anniversary was and is a big deal for them, so big that they had a group of fresh young possibly future creative minds run the show for a day. Grip Limited presents The 10 Year Old Takeover.


Credits:
Grip Limited and The Big Orange Slide

PBS KIDS GO's Design Squad Nation Inspiring Community of Creative Kids

2 Oct 2012


WGBH's Emmy® Award-winning Design Squad Nation is introducing a revamped website to inspire the next generation of engineers. The online community is fueling kids' spirit of inventiveness, providing a destination where they can discover firsthand that engineering isn't something done by boring grownups in hidden labs: it's solving problems in creative ways...everyday, and all around you. Full press release below.

PBS KIDS' Design Squad Nation® Introduces Revamped Site
To Inspire Community of Creative Kids

-- Emmy® Award-winning Team behind Design Squad Launches Extensive Updates and New Features to Inspire Next Generation of Engineers --

(Boston, MA, Tuesday, October 2, 2012) - WGBH announced the official launch of the revamped Design Squad Nation®, an online community that provides kids with a forum to express their adventurous, do-it-yourself spirit and share their creative ideas with other like-minded kids. Hot on the heels of a renewed DIY movement, the PBS KIDS Design Squad Nation website is the latest iteration of a franchise that includes a four-season run of the Emmy® and Peabody Award-winning TV shows Design Squad and Design Squad Nation. Design Squad Nation can be found at http://pbskids.org/designsquad/.


Why it's important

By nature, every young kid is a budding engineer: building contraptions with glue and Popsicle sticks or sketching an idea for an automatic pet feeder. But as kids get older, they have fewer moments in their daily lives where they can develop those critical thinking skills. Design Squad Nation fuels kids' spirit of inventiveness, providing a destination where they can discover firsthand that engineering isn't something done by boring grownups in hidden labs: it's solving problems in creative ways...everyday, and all around you.

How it works

Kids can join Design Squad Nation for free; earn points by contributing ideas, sketches, and photos of the projects they dream up; and keep track of all the things they have made in their own profile pages. As users contribute more to the site, they earn more points and move up in rank from "Newbie" to "Phenom." The goal is to frame the design process as a game, encouraging a virtuous cycle that gets kids to continue sharing their own ideas while cheering on others to do the same.

Kids ask great questions that deserve great answers! On Design Squad Nation, engineer-hosts Nate Ball and Deysi Melgar respond to questions in a series of short videos posted online. One week, Nate will add his own ideas to kids' sketches of waterpark rides. The next, Deysi will share what's so amazing about NASA's Curiosity Mars rover. As mentors and guides, Nate and Deysi show kids how engineers see things through a creative lens, inspiring kids to do the same.

Video made for the YouTube Generation

Into fashion? We've got a video about how engineering connects to it. How about cooking, sports, camping, or dancing? We've got those, too, and we're rolling out more videos all the time-from cool stunts to how-tos. We know that kids have many interests, and that their favorites shift from one thing to the next. No matter what they are into, Design Squad Nation has a video, project, or inspiring example of how engineering can further their interests.

The team behind the site

A passionate team of educators, Emmy® Award-winning producers, and website engineers at WGBH created Design Squad (the TV show) and Design Squad Nation. And that team is constantly looking for new ways to share the power of engineering and inspire kids to dream big. Their efforts are garnering wide acclaim. Design Squad Nation just earned a 2012 Emmy Award in the category of New Approaches-Daytime Children's.

"More than a website, Design Squad Nation is a growing community built around the belief that through creative problem-solving and engineering, any kid can make a difference," says executive producer Marisa Wolsky. "We currently are hard at work to make this community bigger and stronger, inspiring a new generation of engineers to dream big and change the world."

Design Squad Nation invites the next generation of great thinkers to get involved at pbskids.org/designsquadnation. Viewers also can follow Design Squad Nation on Facebook and on Twitter.

How To Adapt Your Brand Image Across Languages and Cultures

1 Oct 2012

In some respects the business world has never been smaller. Globalization, mass communication and the internet have all put new markets within reach for businesses of all sizes. But linguistic and cultural barriers still remain, and marketers need to take care when venturing across these divides.


Lost in translation
There are numerous instances of companies whose message has been lost in translation. When Pepsi took their slogan “Come alive with the Pepsi Generation” to Taiwan it was mistranslated as “Pepsi brings your ancestors back from the dead” - a claim that even the staunchest of Pepsi fans might have difficulty backing up. Not to be outdone, Kentucky Fried Chicken's famous “Finger lickin' good” was translated into Chinese as “Eat your fingers off.”

Companies are advised to check that their actual brand and product names give the right impression abroad. Ikea, for example, brought out a mobile work desk for kids. The name 'Fartfull' suggested speed and mobility in Swedish, but caused more of a stink elsewhere.

Good quality translation is clearly essential when taking your brand abroad. This ideally means working with native speaking translators. They will not only avoid linguistic errors, but can also identify any cultural issues and nuances that might otherwise be missed.

Attention to detail is obviously important in a major international marketing campaign, but the same rule should also be applied even if you are just localizing your website. Automatic translation tools such as Google Translate can be useful for getting the gist of foreign texts. But they’re prone to misunderstandings, contextual errors, and do not deal well with colloquialisms, slang, linguistic variations or commonly used acronyms and abbreviations.

English might remain the single most widely used language online, but it still represents only around a quarter of total usage. Studies have shown that customers place far more trust in websites in their own language. Localization can help you break into new markets, but a badly translated site can do as much harm as good.

Cultural issues
There can also be issues arising from a lack of cultural understanding or foresight. As well as translating the language, consider the use of images carefully. Sexually charged images and innuendo can end up being more risky than risqué, and even images that may be considered relatively innocuous in your home market can cause grave offence in another.

Even the use of color can have different connotations within different cultures. In most of the western world, for example, white is associated with weddings and purity, while in India, Japan and China it is more likely to be associated with death and mourning. In Ireland, orange can have political and religious connotations. Using an inappropriate color scheme is unlikely to cause rioting in the streets but it can set the wrong tone and trigger a negative subconscious response in viewers.

A knowledge of slang, colloquialisms and naughty words in particular can also come in handy. Like many other companies, Swedish medical suppliers Locum sent Christmas cards to their customers. It's a little touch that can mean a lot - but their seasonally loved up logo took on a different meaning in North America and the UK.

The above example might have been no more than a faux pas that raised a chuckle and provided a few red faces, but some mistakes are far more serious. They can also occur not just when dealing with foreign markets but also within a single multicultural market.

In 2002 the British sportswear company Umbro (which would later be bought out by Nike) was forced to withdraw its Zyklon range of running shoes and issue a hasty apology. 'Zyklon' means 'cyclone' in German, which may have been an appropriate name for a running shoe if not for some unfortunate and horrible connotations. Zyklon B was the trade name of the poison used by Nazis to murder Jews and other concentration camp victims during World War II.

Dr Stephen Smith, co-founder of the Beth Shalom Holocaust Centre in Nottinghamshire, said: "Commercial appropriation of words carrying connotations of mass murder is utterly unacceptable.”

It’s important to give careful thought to potential cultural oversights and misunderstandings. Native-speaking translators can again help avoid mistakes and faux pas and, at the very least, material should be tested with a sample group from the target market. Without a little attention to detail it can be relatively easy for a company to either make itself a laughing stock or, even worse, to cause serious offence and alienate a huge swathe of potential customers.

About the author
Christian Arno is the founder of Lingo24, a top translation service in the USA. Launched in 2001, Lingo24 now has over 150 employees spanning three continents and clients in over sixty countries. In the past twelve months, they have translated over forty million words for businesses in every industry sector, including the likes of MTV, World Bank and American Express. Follow Lingo24 on Twitter: @Lingo24.

Interactive Campaign Using Instagram For Velux



Students Kat and Andrew put together a little interactive installation for VELUX set in the streets of Copenhagen for an industry project at The Copenhagen Institute of Interaction Design (CIID) run by Jamie Allen.

#theVELUXpose is an interactive installation for VELUX set in the streets of Copenhagen. VELUX specializes in roof windows and our brief was to inspire young urban citizens to see the roof as an opportunity space and something to aspire to. Our goal was to connect the digital generation and VELUX.

As a symbol, we used the posture people have when looking through these roof windows, which is looking up at an angle of 125º. We brought this experience from the roof, down down to the streets and used Instagram as a way to get people excited and involved.

We put an iPhone in a box with a frame that has VELUX written on it so that it would come up as the border in the image. We hacked together a really long handsfree kit cable so that we could trigger the camera from far. The image gets synced with an iPad for participants to upload their image to Instagram with their own filter.

We put an iPhone in a box with a frame that has VELUX written on it so that it would come up as the border in the image. We hacked together a really long handsfree kit cable so that we could trigger the camera from far. The image gets synced with an iPad for people to upload their image to Instagram with their own filter.

Credits:
Project by:
Andrew Spitz - andrew-spitz.com
Kat Zorina - katzorina.com
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