bebe, “The Best Part of the Day is the Night” Ad Campaign is Sizzling #be9to5

30 Aug 2013


Fashion brand Bebe’s “The Best Part of the Day is the Night” ads rolling out now nationwide in print and online, add to a high-energy, multiple touchpoint marketing campaign introducing consumers to a new Bebe.

Created by New York City – based advertising agency JWalk (www.jwalkny.com), this newest national creative campaign will be seen in fashion books including Glamour, Elle and Cosmopolitan; online, with high-impact digital homepage roadblocks on sites including Instyle.com. Other components include mobile ads, video ads in taxis – even branded t-shirts, printed with campaign slogans (“good girls go to heaven, bad girls go everywhere”).

The branded rollout follows a month-long, unbranded mystery hash tag teaser campaign, #be9to5, that introduced girls to the idea of the real 9 to 5 – 9 p.m. to 5 a.m. – and got people talking about who or what was behind it. Unbranded ads on billboards, bus stops and beer coasters with provocative lines like, “he was a good idea at the time” generated excitement; copy directed viewers to an unbranded microsite, http://www.be9to5.com/. As buzz built around the hashtag, among fashion bloggers and followers, and speculation grew about who or what was behind it, Bebe earned some much needed 9 million impressions, 120 percent above projections, a renewed cultural cachet and a ton of social engagement.







Early stages of the branded phase are showing similar momentum. The campaign has generated over 6 million impressions on Twitter and Instagram. Moreover social engagement is translating into sales increases. One example: over 1,000 t-shirts, carrying the messages "Good Girls Go to Heaven" in white and "The Best Part of the Day Is the Night" in black, sold out in one week -- a 250% increase over typical t-shirt sales of 200 in a week.

One Direction Sniffs and Coddles Over The Ingredients of "Our Moment" in their new Fragrance Ad



One Direction has released a 60-second ad to promote their new fragrance "Our Moment"...enjoy kids.

The commercial, created by Cake, was posted on to the group’s Vevo channel initially and will be rolled out in cinemas and on social media channels. It shows the band members playing with the ingredients that make up the scent and gently mocks the serious advertising that traditionally accompanies fragrances.




Credits:
Music: "My Favourite Things" performed by Diana Vickers
Creative Ad Agency: Cake
Creative director: Mark Whelan
Director: Vaughan Arnell
Production company: Stink

DDB Brussels Launches the #nofilterjustrayban Ray-Ban Project

29 Aug 2013



Ray-Ban Belgium and DDB Brussels have launched a new campaign that makes creative use of public transportation to communicate Ray-Ban's wide range of polarized color lenses: from sky blue to hot pink.

In all major Belgian cities, trams have been redesigned into "Ray-Ban Test-Drive Trams" that let you discover the city through different Ray-Ban color lenses.

Tapping into the use of filters on mobile platforms like Instagram, posters inside the tram invite travellers to share their pictures of the city with #nofilterjustrayban.

Credits:
Campaign: #nofilterjustrayban
Creative Ad Agency: DDB Brussels
Client: Ray-Ban Belgium (Luxottica Group)
Marketing Manager: Dagmar Sleuwaegen
Agency: DDB Brussels
Creative Director: Peter Ampe
Creation: Gertjan De Smet
Account Manager: Gertjan De Smet
Strategic planner: Maarten Van Daele
Head of Digital: Geert Desager
Online producer: Simon De Pauw, Sevenedge
Experience Architect: Maarten Breda
Graphic Designer: Arnaud Hemroulle
Production company: Lijncom, JCDecaux, Clear Channel
Photographer: Mary-Ann Koninckx, Yannick Tielemans
Media: website, transit, social media

Shut Up & Shoot - New Ad by TheQ Features Run Run by the Rival



To get the most out of life, you have to embrace the new.
There are new places, and new people. New experiences, and new feelings. New highs...and new lows. But it's always worth giving it a shot. After all, if we never did anything out of the ordinary, then no one would have any stories to tell. We wouldn't be able to make moments special. Memories wouldn't be worth sharing. So, it's a good thing we can make the ordinary extraordinary. Because if you don't limit your expectations, you'll find that there's no end to the possibilities. You can do the unexpected. You can go the extra mile. You can live in the moment.
So give it a shot. Shoot for the sky. Shoot for the stars.
Just shut up and shoot.

The music is The Rival song "Run Run"

Credits:
Advertising Agency: theQ Lifestyle, Stockholm, Sweden
Creative Director / Art Director: Joe Lesina
Director: Tim Erem
D.O.P.: Erik Henriksson
Focus: Max Almqvist

Sexy New Blush Lingerie Ads Poke Fun At The Internet and National Security





Credits:
Creative Ad Agency: glow communication
Photographer: Nils Rodekamp
CD: Johannes Krempl
AD: Franziska Knoepfel
Copy: Anthony Cliff, Danny Suessengut
Graphic: Paul Lentzsch

Meet "Discipline" The New Publication Celebrating Film, Art, Fashion, Design, and more


The FUN issue of Discipline magazine is out now and available from most news agents, Tate Modern, Magma, Foyles, Artwords and more...

The pursuit of ‘LOLs’ and ‘likes’ is about instant and permanent fun. It’s about ditching the dull and provoking the standard. The second issue of Discipline is a celebration of the big business of fun, where bold is always better. We take a look at the makers and thinkers setting themselves apart from the crowd and we witness just how much hard work and discipline real fun takes.

Discipline issue two - The FUN Issue

House of Mirrors by Ryan Hopkinson

Actress Ariane Labed

Musician Elliott Power

The cover star Susan Boyle is joined by John Prescot, Tom Cruise and Leslie Nielsen in an exclusive feature by Carl Burgess. The Fun Issue includes profiles, features, interviews and editorials with the people behind the scenes making the things you love including cinematographer Evan Prosofsky, photographer Ryan Hopkinson, musicians Palma Violets, actress Ariane Labad and much more.

Discipline is a new publication celebrating the most interesting makers of film, art, fashion, design, interiors, music, dining and more.

Editor in Chief: Jack Robinson
Associate Editor: Marta Bobic
Contributing Editors: Calum Sager, Jennifer Byrne & Nathan James Tettey
Design and Art Direction: Inventory Studio

"The World's Most Hottest Idea" | 2013 Taco Bell Fiery Doritos Locos Tacos Commercial



First Nacho Cheese, then Cool Ranch. What's next? The answer's more obvious than you think, especially if you happen to be surrounded by fire.




Credits:
Client: Taco Bell
Spot: "The World's Most Hottest Idea"

Agency: Deutsch, Los Angeles
Group Creative Director: Brett Craig
Creative Director: Jason Karley
Creative Director: Josh DiMarcantonio
Senior Art Director: Gordy Sang
Senior Copywriter: Brian Siedband
Director of Integrated Production: Vic Palumbo
Executive Producer: Paul Roy
Senior Producer: Mila Davis
Music Supervisor: Dave Rocco

Production Company: Arts & Sciences
Director: Matt Aselton
Director of Photography: Nigel Bluck
Executive Producer: Marc Marrie
Managing Director: Mal Ward
Line Producer: Scott Kaplan
1st A.D.: Craig Pinckes

Editorial Company: Cut and Run
Editor: Jay Nelson
Assistant Editors: Luke McIntosh and Sean Stender
Senior Producer: Amburr Faris
Executive Producer: Carr Schilling

Post Facility: MPC
Colorist: Ricky Gausis

Visual effects Company: Method
VFX and Online Artist: Jason Frank
VFX Assistant Artists: Patrick Vollkommer
Creative Director: Claus Hansen
Producer: Stephanie Alllis
Music/Composer: Massive Music (Music Festival scene only)
AFM Stock Music (Airbrushing scene only)

Sound Designer Company: 740 Sound Design LA, CA
Sound Designer: Rommel Mollina
Assoc Producer: Jeff Martin
Executive Producer: Scott Ganary

Audio Post Company: Lime Studios, Santa Monica, CA
Mixer: Rohan Young
Assistant: Patrick Navarre
Executive Producer: Jessica Locke

End Tag Mnemonic: Method Studios-Santa Monica, CA
Executive Producer: Robert Owens

Additional Deutsch Credits:
Chief Executive Officer: Mike Sheldon
Account Management Credits:
Group Account Director: Walter Smith
Account Directors: Amanda Rantuccio
Account Directors: Christi Johnson
Account Supervisor: Steve Scutellaro
Account Executive: McKenna Pickett
Account Planners:
Chief Strategic Officer: Jeffrey Blish
Group Planning Director: Christian Cocker
Traffic/Business Affairs:
Director of Business Affairs: Abilino Guillermo
Senior Business Affairs Manager: Ken Rongey
Business Affairs Manager: Nestor Gandia
Director or Broadcast Traffic: Carie Bonillo
Broadcast Traffic Manager: Sarah Brennan

[Guest Post] The Doomsday of Mass Advertising

"Tastes change, fashions change, and the advertiser has to change with them."
Thomas J. Barrat, aka. "the father of modern advertising".

The industry of advertising has not failed to realize the emergent customization of literally anything that surrounds us. Being one of the many social changes the digital world has brought, advertisers soon understood the benefits of tailoring their products to specific audiences. This goes in line with other customization trends that this decade of the twenty-first century has seen, such as 3D printing technologies allowing you to have a different -and brand new!- cereal bowl every day; or the striking objects and architectures that digital design has freed from the idea of 'the mass'.

Advertisers have slowly, but steadily, started to implement this new approach in a variety of ways, both virtual and analog. While predicting the future is always a slippery thing to do, one could start to see a tendency to favour all things bespoke, to the detriment of audiences understood as homogenous masses of identical individuals. This had started shyly with the television, where toys would be advertised in the middle of children’s programs, and alcoholic beverages after late-night movies. The exploitation of these customization techniques, however, has undergone a radical makeover with the arrival of the Internet and the subsequent acceptance of the digital realm. Customization of a company's advertising campaigns comes hand in hand with other public relation strategies, as a matter of fact, and is intimately related to the company's brand identity. When a PR agency embarks the task of developing developing a corporate brand identity, it will typically begin by asking just that: who are our customers? Clarifying what your audience’s needs are is a step in the right direction when it comes to bespoke advertising, based on the potential customers' specific tastes and likings, rather than blindly advertising to an obscure mass of unknown individuals.

You might have realized that the advertising in sites such as YouTube or your e-mail service provider varies according to your latest web searches or the messages you have exchanged with your contacts. Indeed, the algorithm sometimes gets things wrong, such as the day my German boyfriend sent bussi (kisses), and a bunch of adverts of Finnish bus companies (bussi) appeared in Suomi all over my web browser! If you are yet to realize about these changes, you might well have received a newspaper in the post, with your own name printed in the headline instead! University prospectuses these days are also customized to the prospective student's interests, and displaying their name on every other page. Could this be the doomsday of mass advertising?

Advertising is arguably as old as human society, and it started as a way to inform the public, ie. the audiences and potential clients, about one's own services. Never before, however, has advertising had the possibility of selecting its audiences as carefully as before. Flyers have been put up by blacksmiths and doctors alike, while stall owners at markets have sung and shouted about their products in all cities worldwide. Nowadays, more than a decade into the twenty-first century, it is more urgent than ever to utilize digital technologies in order to do something that these advertising methods did not: optimization. These methods were targeting all passers-by, without carefully selecting them in order to direct their message only to those who might have been interested in the services offered. In other words, optimized advertising means sending out one's message only to interested audiences, and thus avoiding unnecessary expenses.

Moving away from mass advertising means entering an era of optimal advertising. Thankfully, this is possible because the means are now available. All successful businesses are acutely aware of it, but not all strands of possibility have been explored. Television and cinema, not to mention newspapers, are only the grandparents to the new universes of interactive and multi-media advertising that gadgets such as tablets and smartphones have opened before us. Advertising brought to you in a silver tray.

A guest post from Fortune PR.

Photo Credit: Mackenzie King addressing an outdoor audience on his Western Tour, 1941. William Lyon Mackenzie King. Library and Archives Canada, C-068667

The FA (Football Association) Respect Advert "Respect The Technology"



The FA has launched a new advert to remind people about the importance of Respect in our national game. The film looks at the potential of ‘corrective’ technology – think ED209 from Robocop - to deal with the problems of raging touchline parents, the loss of referees, foul mouthed players or abusive managers.
The Respect program was launched in 2008 and although there is much still to do, after five seasons across all levels of football on field discipline has improved, assaults on referees have fallen, 5,000 more match officials have been recruited and the environment of children’s football has improved.

Dermot Collins, The FA’s Respect Manager, said: “The application of technology is an ongoing discussion in Football. This film takes a light hearted look at how it can be applied to improving behaviour in the Grassroots Game but ultimately the solution is in our own hands. We all have a part to play.”


Credits
Advertising agency: Man+Hatchet (http://www.manplushatchet.com)
Creative Director: Henry Cowling
Senior Creative: Rob Wakefield
Creative Team: Phil Lethbridge, Barry Fearn
Account Director: Simon Oldridge
Account Manager: Sophie Kay
Production Company: Man+Hatchet
Producer: Simon Sanderson
Director: Will Tribble
SFX: Chris Green
VFX: Tony Lymboura
Concept artist: Robert Cheetham

All Hail The King - Snoop Lion is served his new adidas Originals Hard Court Defenders in Latest Foot Locker Ad

28 Aug 2013



Here comes the King in Foot Locker's new ad...Snoop Lion is king of LA in the new adidas Originals Hard Court Defenders sneakers exclusive to Foot Locker.


Credits:
Creative Advertising Agency: Abbott Mead Vickers BBDO, London, UK
Director: Ben Newman
Creative Director: Thiago De Moraes
Creatives: Michael Jones, Adam Whitaker
Producer: Anita Sasdy
Agency Producer: Alex Lewis
Digital producer: Angela Meier
VFX: The Moving Picture Company
Photographer: Michael Ragen
Production co. producer: James Sorton
Post-production company: MPC
Production: Pulse

Kobe Bryant, the classical pianist plays ''Moonlight Sonata'' in new Lenovo ad



When Kobe Bryant is done playing basketball there will a music career waiting for him. Watch as Kobe plays 'Moonlight Sonata' in this ad for Lenovo.

Beethoven's Moonlight Sonata calms me down when I reach my breaking point #relaxandfocus
-Kobe Bryant

"The Old Man Film" A Message To Today's Youth Brought To You by @American_Giant

27 Aug 2013



Every up and coming generation must endure a certain amount of skepticism, reluctance and misunderstanding by the ones who came before them. It's a universal and not so subtle reminder that the reins of progress will not be given unconditionally. There are no entitlements to success. And the only claim any generation or individual can stake in this world will be merit based. So don't get complacent. Don't get disappointed. There's a giant inside of everyone. Don't get comfortable. http://www.american-giant.com/




CRUSH+LAB Presents Hookie: A Short Film for Schön!



CRUSH+LAB directing trio David Solomini, Alexander Kafi and Paula Tabalipa debut Hookie, a :165 fashion film that pays homage to the sexy, no-nonsense rebellion of urban youth. Created for Schön!, Hookie upholds the publication’s long-standing traditions of creativity and originality.

Wardrobe stylist Paula Tabalipa cultivates an air of nonchalant, untouchable beauty, with expertly curated selections from Alexander Wang, American Apparel, Top Shop, and Russ Karablin (COMME DES FUCKDOWN). The cinematography – overseen by Solomini – toys with light, mixing double-exposure with shots in vibrant color and black and white while the darkly ethereal soundtrack evokes a palpable sense of mystique. As a finishing touch, the model’s bold yet natural makeup serves as a reminder of the chemistry created when attitude and sensuality unite.

Credits:
Production Company: East Pleasant, and  CRUSH+LAB
Director: David Solomini
Creative Director: Paula Tabalipa
Executive Producers: Alexander Kafi, David Solomini
Story: David Solomini, Alexander Kafi
DoP: David Solomini
Second Camera: Alexander Kafi
Editor: Scott Butzer

Model: Eyren Powell (Next Models LA)
Wardrobe Stylist: Paula Tabalipa
Makeup Artist: Garret Gervais (Opus Beauty)
Hair Stylist: Mara Schiavetti (Cloutier Remix)
Fashion: Alexander Wang, American Apparel, Top Shop, Russian Karablin (COMMES des FUCKDOWN)

Musical Director: Alexander Kafi
Music: “Searching” by Emika
via: TrustCollective

350 Action's Powerful New PSA - Climate Name Change

26 Aug 2013



350 Action, a climate change activist group, is petitioning the World Meteorlogical Organization to change their naming system of storms from randomly selected names, such as Katrina and Sandy, to the names of actual policy makers who deny climate change. The campaign, at ClimateNameChange.org, kicks off with a video that brings the proposed naming system to life. At the heart of the campaign and site is the actual petition, information about climate change, the policy makers who obstruct and deny climate change and more.

Credits:
Advertising Agency: Barton F. Graf 9000, LLC, New York, USA
Chief Creative Officer: Gerry Graf
Executive Creative Directors: Eric Kallman, Brandon Mugar
Creative Director / Copywriter: Dave Canning
Creative Director / Art Director: Dan Treichel
Senior Designer: Matt Egan
Head of Production/Executive Producer: Carey Head
Creative Technology Director: Jonathan Vingiano
Account Director: Jennifer Richardi
Business Affairs Director: Jennifer Pannent
Planner: Danielle Travers
Production Company: Furlined
Director: Ted Pauly
VP/Executive Producer: Eriks Krumins
Executive Producer: Dave Thorne
Executive Producer of Sales: Meghan Lang
Line Producer: Jennifer Gee
DOP: Kris Kachikis
Edit: Big Sky Edit
Editor / Sound Designer / Mixer: Chris Franklin
Co-Editor / Colorist: Dave Madden
Sr. Asst. Editor: Liz Bilinsky
Jr. Asst. Editor: Megan Elledge
Graphics / FX: Ryan Sears, Steve Kutny
Executive Producer: Cheryl Panek
Asst. Producer: Grace Phillips
Music: APM Music
Account Executive: Lauren Bell
Stock Video Footage: T3Media
Senior Account Manager: Amy Geisert
Photography: Magnum Photos
Corporate Sales Manager: Diane Raimondo
Photographer: Paolo Pellegrin

The MINI Roller Coaster, A NOT so NORMAL campaign for MINI via Anomaly



MINI is much more than just a car. It has its own distinctive personality and generates emotion, passion, and excitement from its loyal owners and fanatics (AKA “MINIACS”). In May 2013, with the help of their AOR Anomaly, MINI Canada launched their nationwide NOT NORMAL campaign that reinforces MINI’s unique and “only MINI can do” attitude.





To amplify the NOT NORMAL campaign and MINI’s undisputed go-kart handling, MINI Canada and Anomaly took directly to the streets. Through vigorous planning and with the help of Toronto-based production company Asymetric, three MINI Cooper S models were completely retrofitted to create a MINI Roller Coaster. The fabrication included the removal of the rear seats and parts of the roof, welding on new roller coaster frames, external speakers, custom roller coaster carts, bright and ambient LEDs, custom paint/decals, and wind blowers, which really showcased the hair-raising experience of driving a MINI even while stopped at traffic lights. With all the structural changes to the car, performance tests to ensure safety were conducted at the MINI Test Facility in collaboration with stunt driver coordinator Philippe Létourneau.

Once the MINI Roller Coaster was street ready, 3 professional drivers ripped through downtown Toronto with 2 riders on each car screaming at the top of their lungs. In addition to the ear piercing screams, a custom music track created by Didier Tovel from SNDWRX blasted through the exterior speaker system. The reaction? Torontonians laughing, smiling, and whipping out their phones and cameras to capture true excitement and the NOT NORMAL execution.

"The stunt was truly an unconventional and NOT NORMAL way to communicate the brand core of excitement.” Said Dave Douglass, Partner/ECD Anomaly. “We hope people take away that driving a MINI is an absolutely thrilling experience and its “corners like it’s on rails” abilities are completely unlike any other car.”

The making of...



Credits:
Client: MINI Canada
Director: Adam Shaver
Brand Team: Steve Ambeau, Adam Wexler, Ryan Chu, Shay Li, Rosalind Lo

Agency: Anomaly
Executive Creative Directors: Pete Breton, Dave Douglass
Creative Team: Craig Mcintosh, Jaimes Zenith
Wrap Design/Illustration: Omar Morson, Jeremy Thompson
Senior Integrated Producer: Jen Mete
Junior Integrated Producer: Sharon Langlotz
Account Team: Brent Rivard, Candace Borland, Mike Stollar, Patrick Martini, Scotty Booth

Production House: Asymetric
Executive Producers: Geoff Cornish, Kristina Anzlinger
Line Producer: Dwight Phipps
Director: Finn O'Hara
Director of Photography: Mark Peachey
Car Modifications: Performance Solutions
Precision Driving Supervision: PLB AutoSport
Casting: Steven Mann
Editorial House: Bijou
Executive Producer: Stephanie Hickman
Editor: Mel Hider
Assistant Editor: Cian McDevitt
Telecine: Alter Ego
Colourist: Wade Odlum
Post House: Fort York
Online: Ernie Mordak
Music and Sound Design: SNDWRX
via: Glossy

Sexiest Coconut Water Ad Campaign Ever - The #AMAZONpower Tribal Looks of Adriana Lima, Emanuela de Paula, Cintia Dicker

25 Aug 2013


AMAzon Beverages enlisted the services of Victoria’s Secret photographer Russell James to shoot three of Brazil’s most outstanding models for a new campaign promoting their line of drinks, beauties Adriana Lima, Emanuela de Paula and Cintia Dicker pose in stunning tribal chic looks, with wild hair, colorful makeup and bronzed bodies. Images of the models from #AMAzonpower Coconut Water photoshoot below, and the accompanying beverage. Images courtesy Amazon beverages, check out the impressive Amazonpower website.







Take a look at the behind the scenes action with Adriana Lima.

Adriana Lima proving just how gorgeous the Amazon can be! Lima is one of the new faces for AMAZON Beverages, and, rocking dreads and smudged makeup for the jungle themed campaign, the super model is taking her gorgeous Amazon glow to new heights. The 32-year-old explains her excitement for joining forces with the brand saying, "As a native of Brazil, I was taught at an early age about the mind-body benefits provided by these nutritionally rich rainforest superfruits.

Music Credits:
Artist: @poetnamelife + @ariianamel
Title: "Ole" Preview
Copyright owner: Listen Deep Entertainment, LLC
Publisher: Listen Deep Music (BMI)

Audi - "Power from a less obvious place" Ads The Ref and Clark Kent

24 Aug 2013



Sometimes, power comes from a less obvious place. This commercial shows exactly what we mean, by putting the spotlight on an unsung hero in the boxing ring.

Below, a print ad from the BBH, London created work features Christopher Reeve as Clark Kent beautifully done in simple black and white using the tag line: "Power from a less obvious place."



Goodyear - Tires "The Wet Grip Experience"



Tire company Goodyear launches its new summer tire EfficientGrip Performance with an unusual marketing idea. The paddlewheel of Hamburg's famous steamboat "Louisiana Star" was covered with a special design that transforms it into an almost 7 meter high tire. The paddle wheel-tire was seen in the Port of Hamburg and on the river Elbe.
The giant paddle wheel-tire in Hamburg was created by German advertising agency Leo Burnett.



Since 1999 the luxury liner is one of the major attractions in the Port of Hamburg. To the huge number of visitors, its paddlewheel communicates instantly that the Efficient Grip Performance offers the perfect grip when wet. The printed air duct sheet, which is mounted on the paddle wheel, is car-wash-resistant. It covers 100 m2 of Alucobond-panels. The whole construction design weighs 400 kg. Its surface has a diameter of nearly seven meters, which means it has the height of a multi-story house.

The giant paddle wheel-tire in Hamburg was created by German advertising agency Leo Burnett. The Frankfurt based agency also developed the new Goodyear campaign. The claim "Made to feel good" addresses the consumer in a more emotional way. "This
unusual advertising platform complements our classic print campaign we designed for the new product," says Fabian Schreiber, Marketing Manager at Goodyear.

During this weekend, the Goodyear paddle wheel steamer will be - as usual - available for round trips on the inland waters of Hamburg.

Responsible for this campaign at Goodyear is Fabian Schreiber (Marketing Manager Goodyear).

Credits: at Leo Burnett are Andreas Pauli (Chief Creative Officer), Daniela Ewald (Creative Director), Jörg Hoffmann (Creative Director), Benjamin Merkel (Senior Copywriter), Helge Kniess (Senior Art Director), Sabrina Lienig (Layouter), Philipp Müller-Scheessel (Account Supervisor), Leonie Schüssler (Junior Account Manager), Christiane Simshäuser (Projektmanagement), Netti Weber (Senior Print Production Manager), Katrin Kester (Head of Public Relations).

New 2014 Kia Soul Hamster Commercial featuring Lady Gaga "Applause"



Kia Soul “Totally Transformed”

The hamsters are back! Kia’s new ad for the all-new 2014 Soul is officially launching this Sunday at the MTV Video Music Awards. Titled “Totally Transformed,” the campaign is centered around a 60-second spot set to the new single, “Applause,” from Lady Gaga. The spot will air following Lady Gaga’s first-ever live performance of “Applause.”

In the spot, both the Soul and its formerly frumpy hamster mascots undergo a transformation. Mirroring the newfound refinement of the all-new Soul, the hamsters shed their furry folds and baggy clothes to become lean, mean head-turning machines.

Credits:
Creative Ad Agency: David&Goliath
Chief Creative Officer: David Angelo
Executive Creative Director: Colin Jeffery
CD/Copywriter: Gary DuToit
CD/Art Director: Eron Broughton
ACD/Copywriter: Greg Buri
ACD/Art Director: Basil Cowieson
ACD/Art Director: Kriss Grove
Executive Producer, Managing Director: Carol Lombard
Executive Producer: Paul Albanese
Managing Partner, Client Services: Brian Dunbar
Group Account Director: Brook Dore
Account Director: Justin Manfredi
Account Supervisor: Nancy Ramirez
Account Executive: Kammie Dons
Associate Strategic Planning Director: Steven Garcia
Sr. Planner: Armando Potter

Production Company: @radical.media
Director: Colin Jeffery
Executive Producer: Frank Scherma
Producer: Kathy Rhodes
Director of Photography: Toby Irwin
Production Designer: Brock Houghton
Wardrobe Stylist: Christina Blackaller

Special EFX: Legacy Effects

Editorial: Rock Paper Scissors
Editor: Angus Wall
Executive Producer: CL Weaver
Producer: Toby Louie
Assistant Editor: Austyn Daines

Post Production: MPC
VFX Supervisor/ 3-D Lead: Andy Boyd
Compositing Supervisor: Jake Montgomery
Animation Lead: Stew Burris
Animator/Rigger: Ian Wilson
Animator: Jean-Dominique Fievet
Lighter: William Schilthuis
Lighter: Shaun Comly
Texture: Hayley O’Neil
Modeler: Aaron Hamman
3-D FX: Charles Trippe
Tracking: Mike Wynd
Compositor: Clement
Compositor: Jason Heinz
Compositor: Brendan Smith
Smoke Artist: Mark Holden
Telecine: Mark Gethin
Executive Producer: Asher Edwards
VFX Producer: Nicole Fina

Record Label: Interscope Records
Artist: Lady Gaga

Sound Design: Hammers Project
Sound Designer: Johannes Hammers

Music Editing: Massive Music

Audio Mix: Margarita Mix
Mixer: Nathan Dubin
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